Lewis Carroll

Charles Lutwidge Dodgson (/ˈtʃɑːrlz ˈlʌtwɪdʒ ˈdɒdsən/; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll (/ˈkærəl/), was an English writer, mathematician, logician, Anglican deacon, and photographer. His most famous writings are Alice's Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem Jabberwocky, and the poem The Hunting of the Snark, all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy. There are societies in many parts of the world dedicated to the enjoyment and promotion of his works and the investigation of his life.

Life

Dodgson's family was predominantly northern English, with Irish connections, conservative and High Church Anglican. Most of Dodgson's male ancestors were army officers or Church of England clergy. His great-grandfather, also named Charles Dodgson, had risen through the ranks of the church to become the Bishop of Elphin. His paternal grandfather, another Charles, had been an army captain, killed in action in Ireland in 1803 when his two sons were hardly more than babies. The older of these sons – yet another Charles Dodgson – was Carroll's father. He went to Westminster School and then to Christ Church, Oxford. He reverted to the other family tradition and took holy orders. He was mathematically gifted and won a double first degree, which could have been the prelude to a brilliant academic career. Instead, he married his first cousin Frances Jane Lutwidge in 1827 and became a country parson.

Dodgson was born in the small parsonage at Daresbury in Cheshire near the towns of Warrington and Runcorn, the eldest boy but already the third child of the four-and-a-half-year-old marriage. Eight more children followed. When Charles was 11, his father was given the living of Croft-on-Tees in North Yorkshire, and the whole family moved to the spacious rectory. This remained their home for the next twenty-five years.

Charles' father was an active and highly conservative cleric of the Church of England who later became the Archdeacon of Richmond and involved himself, sometimes influentially, in the intense religious disputes that were dividing the church. He was High Church, inclining to Anglo-Catholicism, an admirer of John Henry Newman and the Tractarian movement, and did his best to instill such views in his children. Young Charles was to develop an ambiguous relationship with his father's values and with the Church of England as a whole.

During his early youth, Dodgson was educated at home. His "reading lists" preserved in the family archives testify to a precocious intellect: at the age of seven, he was reading books such as The Pilgrim's Progress. He also suffered from a stammer – a condition shared by most of his siblings – that often influenced his social life throughout his years. At the age of twelve, he was sent to Richmond Grammar School (now part of Richmond School) at nearby Richmond.

In 1846, Dodgson entered Rugby School where he was evidently unhappy, as he wrote some years after leaving:

I cannot say ... that any earthly considerations would induce me to go through my three years again ... I can honestly say that if I could have been ... secure from annoyance at night, the hardships of the daily life would have been comparative trifles to bear.

Scholastically, though, he excelled with apparent ease. "I have not had a more promising boy at his age since I came to Rugby", observed mathematics master R. B. Mayor.

He left Rugby at the end of 1849 and matriculated at Oxford in May 1850 as a member of his father's old college, Christ Church. After waiting for rooms in college to become available, he went into residence in January 1851. He had been at Oxford only two days when he received a summons home. His mother had died of "inflammation of the brain" – perhaps meningitis or a stroke – at the age of forty-seven.

His early academic career veered between high promise and irresistible distraction. He did not always work hard, but was exceptionally gifted and achievement came easily to him. In 1852, he obtained first-class honours in Mathematics Moderations, and was shortly thereafter nominated to a Studentship by his father's old friend Canon Edward Pusey. In 1854, he obtained first-class honours in the Final Honours School of Mathematics, standing first on the list, graduating Bachelor of Arts. He remained at Christ Church studying and teaching, but the next year he failed an important scholarship through his self-confessed inability to apply himself to study. Even so, his talent as a mathematician won him the Christ Church Mathematical Lectureship in 1855, which he continued to hold for the next twenty-six years. Despite early unhappiness, Dodgson was to remain at Christ Church, in various capacities, until his death.

Character and appearance

The young adult Charles Dodgson was about 6 feet (1.83 m) tall and slender, and he had curly brown hair and blue or grey eyes (depending on the account). He was described in later life as somewhat asymmetrical, and as carrying himself rather stiffly and awkwardly, although this might be on account of a knee injury sustained in middle age. As a very young child, he suffered a fever that left him deaf in one ear. At the age of 17, he suffered a severe attack of whooping cough, which was probably responsible for his chronically weak chest in later life. Another defect which he carried into adulthood was what he referred to as his "hesitation", a stammer that he acquired in early childhood and which plagued him throughout his life.

The stammer has always been a significant part of the image of Dodgson. It is said that he stammered only in adult company and was free and fluent with children, but there is no evidence to support this idea. Many children of his acquaintance remembered the stammer, while many adults failed to notice it. Dodgson himself seems to have been far more acutely aware of it than most people whom he met; it is said that he caricatured himself as the Dodo in Alice's Adventures in Wonderland, referring to his difficulty in pronouncing his last name, but this is one of the many "facts" often repeated for which no first-hand evidence remains. He did indeed refer to himself as the dodo, but whether or not this reference was to his stammer is simply speculation.

Dodgson's stammer did trouble him, but it was never so debilitating that it prevented him from applying his other personal qualities to do well in society. He lived in a time when people commonly devised their own amusements and when singing and recitation were required social skills, and the young Dodgson was well equipped to be an engaging entertainer. He reportedly could sing tolerably well and was not afraid to do so before an audience. He was adept at mimicry and storytelling, and was reputedly quite good at charades.

In the interim between his early published writing and the success of the Alice books, Dodgson began to move in the pre-Raphaelite social circle. He first met John Ruskin in 1857 and became friendly with him. He developed a close relationship with Dante Gabriel Rossetti and his family, and also knew William Holman Hunt, John Everett Millais, and Arthur Hughes, among other artists. He also knew fairy-tale author George MacDonald well – it was the enthusiastic reception of Alice by the young MacDonald children that convinced him to submit the work for publication.

Politics, religion, and philosophy

In broad terms, Dodgson has traditionally been regarded as politically, religiously, and personally conservative. Martin Gardner labels Dodgson as a Tory who was "awed by lords and inclined to be snobbish towards inferiors." The Reverend W. Tuckwell, in his Reminiscences of Oxford (1900), regarded him as "austere, shy, precise, absorbed in mathematical reverie, watchfully tenacious of his dignity, stiffly conservative in political, theological, social theory, his life mapped out in squares like Alice's landscape." In The Life and Letters of Lewis Carroll, the editor states that "his Diary is full of such modest depreciations of himself and his work, interspersed with earnest prayers (too sacred and private to be reproduced here) that God would forgive him the past, and help him to perform His holy will in the future." When a friend asked him about his religious views, Dodgson wrote in response that he was a member of the Church of England, but "doubt[ed] if he was fully a 'High Churchman'". He added:

I believe that when you and I come to lie down for the last time, if only we can keep firm hold of the great truths Christ taught us—our own utter worthlessness and His infinite worth; and that He has brought us back to our one Father, and made us His brethren, and so brethren to one another—we shall have all we need to guide us through the shadows. Most assuredly I accept to the full the doctrines you refer to—that Christ died to save us, that we have no other way of salvation open to us but through His death, and that it is by faith in Him, and through no merit of ours, that we are reconciled to God; and most assuredly I can cordially say, "I owe all to Him who loved me, and died on the Cross of Calvary."
— Carroll (1897)

Dodgson also expressed interest in other fields. He was an early member of the Society for Psychical Research, and one of his letters suggests that he accepted as real what was then called "thought reading". Dodgson wrote some studies of various philosophical arguments. In 1895, he developed a philosophical regressus-argument on deductive reasoning in his article "What the Tortoise Said to Achilles", which appeared in one of the early volumes of Mind. The article was reprinted in the same journal a hundred years later in 1995, with a subsequent article by Simon Blackburn titled "Practical Tortoise Raising".

Artistic activities

From a young age, Dodgson wrote poetry and short stories, contributing heavily to the family magazine Mischmasch and later sending them to various magazines, enjoying moderate success. Between 1854 and 1856, his work appeared in the national publications The Comic Times and The Train, as well as smaller magazines such as the Whitby Gazette and the Oxford Critic. Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. "I do not think I have yet written anything worthy of real publication (in which I do not include the Whitby Gazette or the Oxonian Advertiser), but I do not despair of doing so some day," he wrote in July 1855. Sometime after 1850, he did write puppet plays for his siblings' entertainment, of which one has survived: La Guida di Bragia.

In 1856, he published his first piece of work under the name that would make him famous. A romantic poem called "Solitude" appeared in The Train under the authorship of "Lewis Carroll". This pseudonym was a play on his real name: Lewis was the anglicised form of Ludovicus, which was the Latin for Lutwidge, and Carroll an Irish surname similar to the Latin name Carolus, from which comes the name Charles. The transition went as follows: "Charles Lutwidge" translated into Latin as "Carolus Ludovicus". This was then translated back into English as "Carroll Lewis" and then reversed to make "Lewis Carroll". This pseudonym was chosen by editor Edmund Yates from a list of four submitted by Dodgson, the others being Edgar Cuthwellis, Edgar U. C. Westhill, and Louis Carroll.

Alice books

In 1856, Dean (i.e., head of the college) Henry Liddell arrived at Christ Church, bringing with him his young family, all of whom would figure largely in Dodgson's life over the following years, and would greatly influence his writing career. Dodgson became close friends with Liddell's wife Lorina and their children, particularly the three sisters Lorina, Edith, and Alice Liddell. He was widely assumed for many years to have derived his own "Alice" from Alice Liddell; the acrostic poem at the end of Through the Looking Glass spells out her name in full, and there are also many superficial references to her hidden in the text of both books. It has been noted that Dodgson himself repeatedly denied in later life that his "little heroine" was based on any real child, and he frequently dedicated his works to girls of his acquaintance, adding their names in acrostic poems at the beginning of the text. Gertrude Chataway's name appears in this form at the beginning of The Hunting of the Snark, and it is not suggested that this means that any of the characters in the narrative are based on her.

Information is scarce (Dodgson's diaries for the years 1858–1862 are missing), but it seems clear that his friendship with the Liddell family was an important part of his life in the late 1850s, and he grew into the habit of taking the children on rowing trips (first the boy Harry, and later the three girls) accompanied by an adult friend to nearby Nuneham Courtenay or Godstow.

It was on one such expedition on 4 July 1862 that Dodgson invented the outline of the story that eventually became his first and greatest commercial success. He told the story to Alice Liddell and she begged him to write it down, and Dodgson eventually (after much delay) presented her with a handwritten, illustrated manuscript entitled Alice's Adventures Under Ground in November 1864.

Before this, the family of friend and mentor George MacDonald read Dodgson's incomplete manuscript, and the enthusiasm of the MacDonald children encouraged Dodgson to seek publication. In 1863, he had taken the unfinished manuscript to Macmillan the publisher, who liked it immediately. After the possible alternative titles were rejected – Alice Among the Fairies and Alice's Golden Hour – the work was finally published as Alice's Adventures in Wonderland in 1865 under the Lewis Carroll pen-name, which Dodgson had first used some nine years earlier. The illustrations this time were by Sir John Tenniel; Dodgson evidently thought that a published book would need the skills of a professional artist. Annotated versions provide insights into many of the ideas and hidden meanings that are prevalent in these books.

The overwhelming commercial success of the first Alice book changed Dodgson's life in many ways. The fame of his alter ego "Lewis Carroll" soon spread around the world. He was inundated with fan mail and with sometimes unwanted attention. Indeed, according to one popular story, Queen Victoria herself enjoyed Alice In Wonderland so much that she commanded that he dedicate his next book to her, and was accordingly presented with his next work, a scholarly mathematical volume entitled An Elementary Treatise on Determinants. Dodgson himself vehemently denied this story, commenting "... It is utterly false in every particular: nothing even resembling it has occurred"; and it is unlikely for other reasons. As T.B. Strong comments in a Times article, "It would have been clean contrary to all his practice to identify [the] author of Alice with the author of his mathematical works". He also began earning quite substantial sums of money, but continued with his seemingly disliked post at Christ Church.

Late in 1871, he published the sequel Through the Looking-Glass and What Alice Found There. (The title page of the first edition erroneously gives "1872" as the date of publication.) Its somewhat darker mood possibly reflects the changes in Dodgson's life. His father had recently died (1868), plunging him into a depression that lasted some years.

In 1876, Dodgson produced his next great work The Hunting of the Snark, a fantastical "nonsense" poem exploring the adventures of a bizarre crew of nine tradesmen and one beaver, who set off to find the snark. Painter Dante Gabriel Rossetti reputedly became convinced that the poem was about him.

In 1895, 30 years after publication of his masterpieces, Carroll attempted a comeback, producing a two-volume tale of the fairy siblings Sylvie and Bruno. Carroll entwines two plots set in two alternate worlds, one set in rural England and the other in the fairytale kingdoms of Elfland, Outland, and others. The fairytale world satirizes English society, and more specifically the world of academia. Sylvie and Bruno came out in two volumes and is considered a lesser work, although it has remained in print for over a century.

Photography

In 1856, Dodgson took up the new art form of photography under the influence first of his uncle Skeffington Lutwidge, and later of his Oxford friend Reginald Southey. He soon excelled at the art and became a well-known gentleman-photographer, and he seems even to have toyed with the idea of making a living out of it in his very early years.

A study by Roger Taylor and Edward Wakeling exhaustively lists every surviving print, and Taylor calculates that just over half of his surviving work depicts young girls, though about 60% of his original photographic portfolio is now missing. Dodgson also made many studies of men, women, boys, and landscapes; his subjects also include skeletons, dolls, dogs, statues, paintings, and trees. His pictures of children were taken with a parent in attendance and many of the pictures were taken in the Liddell garden because natural sunlight was required for good exposures.

He also found photography to be a useful entrée into higher social circles. During the most productive part of his career, he made portraits of notable sitters such as John Everett Millais, Ellen Terry, Dante Gabriel Rossetti, Julia Margaret Cameron, Michael Faraday, Lord Salisbury, and Alfred, Lord Tennyson.

By the time that Dodgson abruptly ceased photography (1880, over 24 years), he had established his own studio on the roof of Tom Quad, created around 3,000 images, and was an amateur master of the medium, though fewer than 1,000 images have survived time and deliberate destruction. He stopped taking photographs because keeping his studio working was too time-consuming. He used the wet collodion process; commercial photographers who started using the dry-plate process in the 1870s took pictures more quickly. Popular taste changed with the advent of Modernism, affecting the types of photographs that he produced.

In a 2015 BBC programme presented by journalist Martha Kearney, experts indicated their belief that a full-frontal photograph of a naked teenage girl was that of the oldest Liddell girl Lorina, and was the work of Dodgson. Nicolas Burnett, a photographic conservation specialist, ruled out the idea that the print is a modern fake. He also said that the image had been taken by a camera similar to the one which Carroll is known to have used, and that the developing process and paper was the same as that used by Carroll. He gave his "gut instinct" that the photograph was by Lewis Carroll. Forensic imagery analyst David Anley compared known images of Lorina at different ages with the suspected photograph. He said, "In my opinion, I would say it's her". However, Carroll photography expert Edward Wakeling had seen the photo in 1993, when he had declared it as not by Dodgson, The BBC programme later received complaints by several contributors including biographers Jenny Woolf and Edward Wakeling, who felt that the programme presented an inaccurate and distorted view of Dodgson. Edward Wakeling declared that "I just want this terrible, inaccurate programme to sink into oblivion as quickly as possible," Wakeling later wrote an article in the Lewis Carroll Society Journal "Bandersnatch" where he explained how he and his fellow biographers were "duped" by the programme makers. The BBC later conceded that it had broken fairness rules by failing to tell the experts used in the Documentary that the photo and paedophile claims were going to be discussed.

Inventions

To promote letter writing, Dodgson invented "The Wonderland Postage-Stamp Case" in 1889. This was a cloth-backed folder with twelve slots, two marked for inserting the most commonly used penny stamp, and one each for the other current denominations up to one shilling. The folder was then put into a slip case decorated with a picture of Alice on the front and the Cheshire Cat on the back. All could be conveniently carried in a pocket or purse. The pack also included a copy of Carroll's pamphletted lecture Eight or Nine Wise Words About Letter-Writing.

Another invention was a writing tablet called the nyctograph that allowed note-taking in the dark, thus eliminating the need to get out of bed and strike a light when one woke with an idea. The device consisted of a gridded card with sixteen squares and system of symbols representing an alphabet of Dodgson's design, using letter shapes similar to the Graffiti writing system on a Palm device.

He also devised a number of games, including an early version of what today is known as Scrabble. He appears to have invented – or at least certainly popularized – the "doublet" (see word ladder), a form of brain-teaser that is still popular today, changing one word into another by altering one letter at a time, each successive change always resulting in a genuine word. For instance, CAT is transformed into DOG by the following steps: CAT, COT, DOT, DOG.

Other items include a rule for finding the day of the week for any date; a means for justifying right margins on a typewriter; a steering device for a velociam (a type of tricycle); new systems of parliamentary representation; more fair elimination rules for tennis tournaments; a new sort of postal money order; rules for reckoning postage; rules for a win in betting; rules for dividing a number by various divisors; a cardboard scale for the Senior Common Room at Christ Church which, held next to a glass, ensured the right amount of liqueur for the price paid; a double-sided adhesive strip to fasten envelopes or mount things in books; a device for helping a bedridden invalid to read from a book placed sideways; and at least two ciphers for cryptography.

Mathematical work

Within the academic discipline of mathematics, Dodgson worked primarily in the fields of geometry, linear and matrix algebra, mathematical logic, and recreational mathematics, producing nearly a dozen books under his real name. Dodgson also developed new ideas in linear algebra (e.g., the first printed proof of the Kronecker-Capelli theorem), probability, and the study of elections (e.g., Dodgson's method) and committees; some of this work was not published until well after his death. His occupation as Mathematical Lecturer at Christ Church gave him some financial security.

His mathematical work attracted renewed interest in the late 20th century. Martin Gardner's book on logic machines and diagrams and William Warren Bartley's posthumous publication of the second part of Carroll's symbolic logic book have sparked a reevaluation of Carroll's contributions to symbolic logic. Robbins' and Rumsey's investigation of Dodgson condensation, a method of evaluating determinants, led them to the Alternating Sign Matrix conjecture, now a theorem. The discovery in the 1990s of additional ciphers that Carroll had constructed, in addition to his "Memoria Technica", showed that he had employed sophisticated mathematical ideas in their creation.

Correspondence

Dodgson wrote and received as many as 98,721 letters, according to a special letter register which he devised. He documented his advice about how to write more satisfying letters in a missive entitled "Eight or Nine Wise Words About Letter-Writing".

Later years

Dodgson's existence remained little changed over the remaining twenty years of his life, throughout his growing wealth and fame. He continued to teach at Christ Church until 1881, and remained in residence there until his death. The two volumes of his last novel Sylvie and Bruno were published in 1889 and 1893, but the intricacy of this work was apparently not appreciated by contemporary readers; it achieved nothing like the success of the Alice books, with disappointing reviews and sales of only 13,000 copies.

The only known occasion on which he travelled abroad was a trip to Russia in 1867 as an ecclesiastic, together with the Reverend Henry Liddon. He recounts the travel in his "Russian Journal", which was first commercially published in 1935. On his way to Russia and back, he also saw different cities in Belgium, Germany, the partitioned Poland, and France.

He died of pneumonia following influenza on 14 January 1898 at his sisters' home, "The Chestnuts", in Guildford. He was two weeks away from turning 66 years old. He is buried in Guildford at the Mount Cemetery.

This article uses material from the Wikipedia article Lewis Carroll, which is released under the Creative Commons Attribution-Share-Alike License 3.0. ( view authors).